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归去来兮舞蹈简介
隋朝末年，天下大乱。大业十四年三月十日江都兵变，炀帝被侍卫所杀，江上却突然降下浓雾，十数日不散，不分昼夜，日月无光。传说炀帝广修运河之时，惊动了《山海经》中所载的神兽夔牛。一时间妖兽四起，天下大乱，民不聊生，各方江湖人士齐聚神秘的渡口驿站“草行渡”，整个客栈内是敌是友，扑朔迷离，天下究竟要何去何从……。自称为“狂妄的疯狂科学家”，至今仍是中二病的大学生‧冈部伦太郎与他的同伴偶然发明了能送往过去的邮件D-MAIL。由此所引起的，是即使多次过去改变（世界线移动）也会到访的、同伴死去的未来……在绝望的冈部面前出现的曙光，是不论谁也不会死亡的未来，称为“命运石之门”的世界线。跨越时间轴解开各种谜团，冈部终于到达了“命运石之门”。可是，跨越了众多世界线的冈部的脑袋，开始出现了庞大的”负荷”……。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。