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李淑寒和倪娜进入女子警犬队内心相当抵触，两人分别以不同的方式对抗着无法逃避的命运。唐优优最先融入到新的集体中。李姝寒的失误，致使“樱桃”受伤而面临淘汰。通过帮助失忆的凶悍马里努斯犬重归扑咬犬行列，摸索出一套情感关注的全新驯导方法，并成功帮助爱犬摆脱心理阴影重返工作岗位。倪娜和自己史宾格猎犬先后遭遇地铁安检时的“恶意投诉”和搜爆现场的“致命错误”，加上李淑寒对自己的误解，一连串挫折和困境使倪娜开始自我反思，最终战胜了训练大型扑咬犬的挑战，并在野外救援遇险时修复了和李姝寒的关系。唐优优带领牧羊犬翻越障碍时过于追求难度，导致警犬受伤失聪，使她明白了兴趣爱好与职业素养的区别，在帮助警犬突破训练瓶颈的过程中，感悟到成长和自我实现的道理，用“以犬为师”理念，实现了人犬合一的默契境界。 本剧以3位性格迥异，青春靓丽的80后女孩为主要人物，展现了在警犬训练侦查这个此...。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。