索罗夫的宝藏

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索罗夫的宝藏简介

一次灾难性事件毁灭了文明，数千年后，人类已经适应，并进化出了新的生存方式。千年后的地球城市被分成了可以移动的小牵引城镇和大牵引城市，它们相互厮杀、吞并。汤姆·纳特沃西，来自大牵引城市伦敦的低层，在碰见了危险逃犯海特·肖后，意识到想要生存必须要全力奋战，地球已不再是千年前的模样。最终，汤姆决定与海特·肖结盟，这两个截然相反的人，却意外相遇，他们会创造出怎样的未来？能否在这样的世界生存下来？。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。